Toy Story Took Disney and Pixar to Infinity and Beyond

I recently learned that Disney and Pixar will be parting ways soon, after the release of the upcoming Disney/Pixar projects The Incredibles and Cars. It seems a shame that such a successful partnership should dissolve after only seven movies, but apparently Disney has had some trouble keeping its friends lately. It remains to be seen just how badly this split will hurt Eisner and company, but I suspect the loss will be felt keenly. Their five films together thus far have met with roaring success, counteracting such projects as the string of cheaply made sequels to Disney classics. Toy Story is the movie that started it all.

I don’t often get to see movies in their first run at the theater, and Toy Story had left Tinseltown before I even heard much about it. The first extensive praise I heard of film was from my ninth grade English teacher, also a friend of the family. For reasons forgotten to me now, she had offered me a ride home, and as she drove she told me how much my family and I would enjoy Disney’s latest offering. Shortly after that conversation occurred, my family dropped by the dollar theater to see for ourselves if Toy Story was really as impressive as she intimated. We were not disappointed.

The first notable thing about this film at the time of its release was the fact that it was entirely computer animated. This animation style was just becoming widespread. The first Veggie Tales video actually preceded Toy Story by a couple years, but I would not discover by beloved singing plant life until the next year. No, it was Woody (Tom Hanks) and Buzz (Tim Allen) who introduced me to the next frontier in animated films.

The story and its cast of characters were particularly suited to this new style. Such creativity and care went into the crafting of this film, most children probably gave their toys a second or third look when they got home and wondered what their playthings had been up to during their absence. The film has nods at lots of traditional childhood toys; Etch-a-Sketch, Slinky Dog (Jim Varney), Mr. Potato Head (Don Rickles), Hamm the Piggy Bank (John Ratzenberger), a troop of toy soldiers, Rex the dinosaur (Wallace Shawn), Little Bo Peep, and many others make up the supporting cast in a tale whose core relationship is between Woody, the boy Andy’s faithful pull-string cowboy, and Buzz, the high-tech space adventurer who usurps Woody’s position of favor when he arrives as Andy’s birthday gift. Buzz is a bit overconfident when he makes his debut, but he harbors no ill will toward Woody, the established leader. Woody, meanwhile, is consumed by a most unheroic jealousy that sets in motion the great adventure he and Buzz must undertake. As Buzz and Woody’s rivalry blooms into friendship, they are each able to combine the best that each has to offer in order to get them out of their precarious situation.

The toys in Andy’s bedroom interact hilariously with one another, via both the dialogue expertly delivered by the seasoned actors voicing them and the movements dictated by their particular traits. Slinky Dog’s front walks halfway across the room while his hind legs remain rooted to the floor. Mr. Potato Head loses all his facial features and reconstructs himself a la Pablo Picasso. Woody and Etch-a-Sketch challenge each other to a draw, with Woody pulling the gun from his holster and Etch-a-Sketch literally drawing a gun. There’s also a bit of romance, with Bo Peep showering affection first on Woody than Buzz and Mr. Potato Head dreaming of the day when Andy’s sister will receive a Mrs. Potato Head.

Outside of Andy’s house, the toys are no less engaging. When Woody and Buzz finagle their way into the Pizza Planet where Andy is eating dinner, they find themselves in a claw machine surrounded by adorable squeezable alien clones who speak in unison. Once they become imprisoned in the home of the sadistic Sid, Andy’s neighbor, they encounter a host of freaky toys that have all been mutilated and redesigned to reflect their owner’s ghoulish personality. These silent masses seem to pose a grave danger to Woody and Buzz, but they soon reveal themselves to be innocent victims of Sid’s operations and powerful allies against him.

Hanks is as lovable as always here, and it’s easy to forgive Woody the touch of arrogance that comes to light when he feels his position is being threatened. Allen puts just the right amount of bombast into the valiant but not too bright Buzz. Later in the film, Woody’s regret and Buzz’s uncertainty add a lovely layer of vulnerability to these initially indomitable characters. The stages of their development as individuals and in relation to one another are beautifully illustrated with Randy Newman’s evocative soundtrack.

This endearing, imaginative story of friendship set the standard for all future Pixar / Disney projects, and while I have no doubt that their last two projects will be just as rewarding, and that Pixar will be successful in future ventures, it all started with Toy Story.