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Omega Broadcast Group PortaBrace MXC-442 Audio Combination Case Mixer Cases are custom fit a particular mixer. Flaps, clear vinyl windows and protective coverings provide access to cable openings, batteries, dials and switches. The mixer cases are padded to protect your mixer and accessories. Depending on your mixer configuration the Porta Brace Mixer case includes: main mixer compartment, radio mic compartment, and a shoulder strap. Each case component is custom fitted to your sound equipment.

Omega Broadcast Group PortaBrace MX-24 Audio Mixer Case This is the larger of the 2 Mixer Cases available for the MIX-PRE and FP24 mixers. Under the mixer area is a battery area for powering the mixer with a NP1 type battery with many of the popular NP-1 (or similar sized) battery brackets. (When you install the mixer, be sure to use the adhesive-backed Velcro inside the case for proper fitting). The cases are padded and custom fit, providing access to switches, cables, bateries, and other impo

Omega Broadcast Group PortaBrace MXC-X4 Audio Combination Case Mixer Cases are custom fit a particular mixer. Flaps, clear vinyl windows and protective coverings provide access to cable openings, batteries, dials and switches. The mixer cases are padded to protect your mixer and accessories. Depending on your mixer configuration the Porta Brace Mixer case includes: main mixer compartment, radio mic compartment, and a shoulder strap. Each case component is custom fitted to your sound equipment.

Omega Broadcast Group PortaBrace MXC-T2000 Audio Combination Case Mixer Cases are custom fit a particular mixer. Flaps, clear vinyl windows and protective coverings provide access to cable openings, batteries, dials and switches. The mixer cases are padded to protect your mixer and accessories. Depending on your mixer configuration the Porta Brace Mixer case includes: main mixer compartment, radio mic compartment, and a shoulder strap. Each case component is custom fitted to your sound equipmen

Omega Broadcast Group PortaBrace MXC-P01 Audio Combination Case Mixer Cases are custom fit a particular mixer. Flaps, clear vinyl windows and protective coverings provide access to cable openings, batteries, dials and switches. The mixer cases are padded to protect your mixer and accessories. Depending on your mixer configuration the Porta Brace Mixer case includes: main mixer compartment, radio mic compartment, and a shoulder strap. Each case component is custom fitted to your sound equipment.

Omega Broadcast Group PortaBrace MXC-302 Audio Combination Case Mixer Cases are custom fit to a particular mixer. Flaps, clear vinyl windows and protective coverings provide access to cable openings, batteries, dials and switches. The mixer cases are padded to protect your mixer and accessories. Depending on your mixer configuration the PortaBrace mixer case includes: main mixer compartment, radio mic compartment, and a shoulder strap. Each case component is custom fitted to your sound equipmen

Omega Broadcast Group PortaBrace MXC-SQ2 Audio Combination Case Mixer Cases are custom fit to a particular mixer. Flaps, clear vinyl windows and protective coverings provide access to cable openings, batteries, dials and switches. The mixer cases are padded to protect your mixer and accessories. Depending on your mixer configuration the PortaBrace mixer case includes: main mixer compartment, radio mic compartment, and a shoulder strap. Each case component is custom fitted to your sound equipmen

Omega Broadcast Group PortaBrace MXC-SQ4 Audio Combination Case Mixer Cases are custom fit a particular mixer. Flaps, clear vinyl windows and protective coverings provide access to cable openings, batteries, dials and switches. The mixer cases are padded to protect your mixer and accessories. Depending on your mixer configuration the Porta Brace Mixer case includes: main mixer compartment, radio mic compartment, and a shoulder strap. Each case component is custom fitted to your sound equipment.

Omega Broadcast Group PortaBrace MXC-SQ3 Audio Combination Case Mixer Cases are custom fit to a particular mixer. Flaps, clear vinyl windows and protective coverings provide access to cable openings, batteries, dials and switches. The mixer cases are padded to protect your mixer and accessories. Depending on your mixer configuration the PortaBrace mixer case includes: main mixer compartment, radio mic compartment, and a shoulder strap. Each case component is custom fitted to your sound equipmen

SquareTrade AP6.0 in titles descriptions Store Home :: Our Feedback :: FAQ :: Policies :: About Us All-In-One Systems Mixers Microphones Players Speakers Mixing Amplifiers DJ Lighting CD+G's Cables Accessories Packages DVDs Hardware Lighting MIDI Discs MP3+Gs (MP3s +Graphics) SCD+Gs (Super CDs + Graphics) Software VCDs Other Items Audio 2000 AKJ7045 Professional Digital Karaoke Mixer Retail Price: $289 USD Our Price: $245 USD Free Shipping to 48 contiguous states with "Buy It Now" only. The Aud

Digital Mixer Connects To Ipod Mp3 Player Or Cd Player With 3.5mm Headphone Jack. Scratchboard Pads Unleash A Variety Of Sound Effects. Includes Builtin Speaker. manufacturer's Suggested Age: 5 Years And Up. number Of Pieces: 1. dimensions: Length: 15.5 "; Height: 11.0 "; Width: 3.75 "; Depth: 3.75 ".

The full featured SR6300 & SR8500 stereo powered mixers are pro-quality mixers that offer solid performance without empting your pocket book. Designed to meet Fender Audio's strict quality standards the SR6300 & SR8500 are designed for low noise with electronically balanced inputs. The controls offer flexibility. The dual 7 band graphic EQ allows you to fine tune your sound. The stereo power amps work in left/right main/monitor and bridged modes. The DSP multi-effects complete the mixers. Whether you're in a band house of worship making a presentation or using the mixers in a school the New SR6300 & SR8500 can custom tailor your sound to your application!

The Phonic Helix Board 12 Plus is a 12 input audio mixer with DFX and USB Interface. It features a 192 KHz USB 2.0 interface that lets you individually stream up to 8 independent channels of audio to the computer and return two channels to the mixer for monitoring - all with near-zero latency. An additional stereo stream of audio is available at sampling rates lower than 192 kHz, with users able to utilize the main mix, ALT 3/4 and AUX 1 & AUX 2 signal for recording. Phonic Helix Board 12 Plus Features 12-input small-format analog mixer with extremely low noise circuitry Onboard USB 2.0 interface for sending up to 10 independent channels of audio to computer with near-zero latency Sampling rate selectable up to 192 kHz in 24-bit resolution A pre/post switch is available on each channel for swapping channel sends to computer from pre-low cut, -EQ to post-EQ, post-fader signals DFX, our 32/40-bit digital multi-effect processor with 100 programs plus tap delay, tone generator and foot switch jacks Two channels of monitoring from computer via USB 2.0 interface Channel 9/10 routed to computer can be selected from main mix, ALT 3/4 and AUX 1/2 Four mono Mic/Line channels Two stereo channels, two stereo AUX returns, two AUX sends 3-band EQ on each channel 75 Hz low-cut filter on mono channel Inserts on channel 1 & 2 +48V phantom power on Mic channels Stereo AUX send 1 cue for monitoring individual channel Master AUX section with EFX to Monitor Extra ALT 3-4 stereo bus Control room/Phones source matrix Balanced master output with 60 mm fader control High-volume headphone output Compatible with Mac OS X and Windows XP & Vista Steinberg's Cubase LE 4 workstation software included Pre/Post switches on each input channel allow users to adjust the outgoing USB 2.0 signal between a pre-EQ, pre-fader, pre-low cut, to a post signal. An onboard 32/40-bit digital multi-effect processor provides 100 popular programs, tap delay and a foot switch jack. Four extremely low noise Mic/Line preamps, each with 75 Hz low cut filters, inserts and phantom power, and two stereo Line channels offer a variety of input options. Each channel has a 3-band EQ and an option to send the signal to the ALT 3-4 stereo bus, where several inputs can be grouped and controlled together. Tracking individual inputs is easy with the stereo AUX cue. Stereo RCA inputs and outputs make the addition of digital and analog playback and recording devices effortless. Additional features include two AUX sends, two stereo AUX returns, balanced stereo main outs, master AUX section with EFX to monitor, control room/phones source matrix and Steinberg's Cubase LE 4 digital audio workstation software.

SquareTrade AP6.0 in titles descriptions Store Home :: Our Feedback :: FAQ :: Policies :: About Us All-In-One Systems Mixers Microphones Players Speakers Mixing Amplifiers DJ Lighting CD+G's Cables Accessories Packages DVDs Hardware Lighting MIDI Discs MP3+Gs (MP3s +Graphics) SCD+Gs (Super CDs + Graphics) Software VCDs Other Items Audio 2000 AKJ7615 KJ/DJ Professional Digital Karaoke Mixer w/ Remote Control Retail Price: $329.00 USD Our Price: $182.00 USD Free Shipping to 48 contiguous states w

Create high-quality digital recordings directly onto your iPod with this Belkin TuneStudio Audio Mixer and Recorder with iPod-Compatible Dock. The TuneStudio features a 4-channel audio mixer so you can input up to 4 different instruments or audio sources, then record your mix to your iPod for instant playback. Belkin TuneStudio Audio Mixer and Recorder with iPod-Compatible Dock Features: Records directly to iPod in 16-bit, 44kHz quality Streams audio through a built-in USB interface to and from a PC or Mac computer 3-band EQ, pan and level controls per channel Phantom-power-enab led XLR inputs — provide up to 60 db gain to your connected microphone Built-in stereo compressor with makeup gain — enhances audio dynamics and keeps audio levels within recording limits LEDs to indicate master audio level, power status, peak indication and compressor Inputs: 2 XLR and (4) 1/4" (balanced or unbalanced), stereo RCA analog, USB Output: Stereo RCA analog, headphone Compatible with iPod classic (80GB and 160GB); iPod nano 3rd generation (4GB and 8GB), iPod 5th generation video (30GB, 60GB and 80GB); and iPod nano 2nd generation (2GB, 4GB and 8GB) Made in China Accessories Included: CD with recording software 1/8" (3.5mm) to 1/4" (6.35mm) headphone cable adapter AC power supply and power cable Adapter inserts for iPod User guide Computer System Requirements: Windows Windows XP or Windows Vista Pentium II 350MHz (Pentium III 500MHz or faster recommended) 64MB RAM (128MB recommended) CD drive USB 1.1 or USB 2.0 port (USB 2.0 recommended) Macintosh Mac OS X version 10.2.8 Jaguar or later G3, G4, iMac, iBook or PowerBook with native USB support 64MB RAM (128MB recommended) CD drive

SM Pro Audio DI8E Direct Box/Stereo Line Mixer is an all-in-one 8 channel direct injection box and stereo line mixer! Designed as a single unit rack-mountable component, the DI8E has much to offer with multiple features and high quality components. Wether you play keyboard, electronic drums or are a PA/Studio owner or a musician from novice to pro, the DI8E will find a place in your rack. Think about it, you can use the DI8E to run 4 keyboards or modules direct into the DI8E, send off balanced signal to the front of house and still provide your own dedicated monitoring mix with just this one single rack-mount product! SM Pro Audio DI8E Features 8 channels of Unbalanced to Balanced converters 20dB pad and earth lift selector per channel Suitable for many applications including DI, line mixer or headphone amp Volume and Pan control for each channel and master volume An indispensable tool solving many problems in the audio field You will be amazed at how often you would utilize the DI8E. SM Pro Audio even included a LINK function so that multiple DI8 units can be linked to a single stereo output, so if you have more than 8-16-24.... inputs of unbalanced signal they can all be routed and monitored through the one output pair!

The SM Pro Audio PM8 mixes the multi track signals from your DAW or other recording device to a stereo signal with out the expense of a mega-dollar, high-end mixing console. Using high quality components, the PM-8 merges up to eight analog channels into a clean and clear stereo pair, with all the sonic depth and dynamics intact. If your software is not cutting it, just use it for what it’s best at – multi-tracking! Leave the merging of the final stereo mix to the PM-8. And if you need more channels – just hook up another PM-8! As with all passive mixing devices, passively attenuating the signals will lead to a drop in the main mix output level. The PM8 offers a transparant active gain make-up stage (this requires the unit to be connected to mains power). If you do not need the make-up gain, or would like to use your own external make-up gain unit/preamplifer, you do not need to connect mains power to the PM8. The audio path will remain fully passive from input to output. It’s also the perfect tool for merging those great sounding hardware synths and samplers into the mix without compromise. SM Pro Audio PM8 Features Pristine 8 x channel passive mix bus 8 x combo TRS/XLR inputs 8 x mute switches 8 x rotary pan controls 2 stereo mix volume controls 2 x stereo output pairs 1 x 25 pin DSUB input (Protools/Tascam format) 1 x ground pin connector 110v-230v internal power supply Why a ‘passive’ mixer, we hear you say? For software multi-track and hardware synth users, there are plenty of good reasons. Without getting too technical about it, the advantage is that your mixdowns will simply sound better as a result. Those of us who mix using computer software are faced with an inevitable compromise. You can spend a great deal of time trying to build up a mix to sound clear and dynamic, with great depth and dimension. Yet, as you’re building things up, things just don’t seem to sound the way they should. Then, by the time you listen to the stereo CD, you’re not smiling anymore. Even while folks might be congratulating you on a job well done, you know something is not right. Don’t worry! It’s not your imagination. Your ears are telling you the truth! Just as with hardware mixing consoles, software faces similar challenges when it comes to modifying and merging multiple audio signals into a single stereo stream. Something strange always seems to happen to the sound. Software developers spend an enormous amount of time and money in trying to get this right. This partly explains why the best software also costs big bucks. Even when multi-tracking with software, this is why top studio producers and engineers around the world will almost unanimously opt for using a good hardware console for final mixdowns.